A sex scene Rick and Morty fans will understand

The XY-chromosomed Homo sapien approximately within the segment of space-time continuum which I, a cissexual Caucasian bourgeouis XX-chromosomed Homo sapien, transferred the upper torso section of his hylomorphic unity in my (noting the metaphorical usage of “my”, lacking metaphysical commitment, cf. W.V.O. Quine) phenomenological direction, and, implicitly deconstructing the consensual/non-consensual dichotomy through material gesture within a given spatial reference frame, pun intended, located his labia lightly upon this author (contra Barthes) vis-a-vis her labia, forgive the indecent polysemous performative which construes the death of God as the birth of Man through weary postmodern irony; his digitus secondus manus and digitus me’dius simultaneously, insofar as simultaneity exists within a relativistic framework, constructing continuous abstract two-dimensional forms wherein every point of which, vis-a-vis a closed plane curve, is equidistant from a fixed point within the curve, in the unexposed, and therefore, titillating to the male gaze, area of the vulva, a construction embodying temporal patterns rooted in the Western aural art tradition; his pollex exemplifying a resembling trajectory through four-dimensional space-time with the gratuitous but welcomed addition of fractions of a Pascal applied onto the exposed area of the vulva — a fortuitous semantic serendipity, ferez-vous un pari? His until now presently unmentioned, but nevertheless, existing despite unmentioned (contra metaphysical antirealists of various stripes, Anglo-American or continental) manibus retrieves, in a manner reminiscent of the archetypical Capitalist (cf. neo-Marxian analyses), my capillum from my caput (note the near-feminine rhyme enacted by the Latin lingua franca) such that capillum remained attached to caput, and concurrently, exploiting the double-handed advantage of the primate species, establishes the position of my caput within a constrained but erotically-charged location within space-time. His lingua – a semantic unit reflective of humanity’s capacity to transfer through behavioral modifications internal intents – mirrors – Lacanian resonances remain salient here as ever, despite the naysaying of critics whose ignorance of Freud and post-Freudian discourse is encyclopedic – the aforementioned trajectories of his digitus secondus manus and digitus me’dius, embodying unity-in-diversity within the essential boundaries, insofar as the notion of boundaries are to be understood vis-a-vis post-Wittgensteinian, and some might argue, post-Heidegerrian, discourse, of the coital act, thus aestheticizing what too often is registered in the Symbolic as the collapse of the Human into the Animal (cf. Levi-Strauss), and in so doing, again metaphorically, creating and placing both of us within a dyadic relation, namely, the claimee-claimed relation, or, more critically, the bourgeouis-proletariat relation. My crura initiated a process whose telos necessitated the subsidiary state whose phenomenology eludes articulation, but which one may tentatively baptize with the descriptor “rigid elongation” (students of Kripke will appreciate the pun) as I contemporaneously enact illicit negation of his performed intent through horizontal movement contra his manibus. That manibus, consequently or not, negates itself through the Eastern virtue of gentleness, returning me from the psychophysiological condition which can be modelled in three-dimensional space as a canyon, the falling off of which has been described poignantly as le petit mort… I instantiate the property of “reaching orgasm”, to use earthy language, “instantly”, which itself is a misnomer since instant causation has been rendered scientifically impossible since Einstein in the beginning of the 20th century, an instantiation which itself is recurrently instantiated by this substance, the horizon of being temporarily forfeited for a saturation of jouissance grounding the disassembling of the socially constructed shell of identity… after which, a significant segment of the described process, fractal-like, repeats itself… The final cause (cf. Aristotle) of the sexual act, in the full sense of the term, i.e. the intentional use of the sexual faculties in line with their proper function and in accord with virtuous rationality, breaks upon a nearby slice of the space-time continuum, accompanied in musical (but musical in an expanded, post-Cagean sense) manner by the vocalizing, melismatic, quarter-tonal melodic murmuring and moaning of my vocalis spinalis through the enwording of his attached identifier.