Max (just a quick little interlude from Mr. Leppard)

Barefoot and bare-ass naked in the kitchen.

Your floury, fragrant fingers shape each cookie so lovingly. Or perhaps you’re an Asian girl, making me potstickers,
pinching each one closed around garlicky filling. It’s meditative work and you can’t stop meditating about my cock, how stiff and erect it gets for you, how happy you could make it in this state. Your work becomes a surrogate for pleasing me. Another bit of dough, another dab of jam.

All the while there are the apron strings, teasing and frustrating you. They dangle from the knot at the small of your back. With your movements they brush and tickle your ass, your crack, right *in* your crack, reminding you how naked you are save for your apron. It’s ridiculously obscene, of course, cooking this way as if your only other real role in the house is to fuck.

Only … that’s kind of the way it actually is.

Max comes in, nails clicking on the tile, pauses. *Hi Max.* He gives an understanding big-dog whimper. He loves you, just as his master does. Another cookie (or potsticker). Growing tension. You find yourself touching between your thighs, in the gap there, reaching through enough for him to see your fingers, leaving the smell of cookies or spicy filling, enticing him, looking over your shoulder at his cocked head.

Aria part 3 of 3 (More from Mr. Leppard)

*I’m fucking. No, he’s fucking me. He’s FUCKING me. No, we’re fucking. WE are fucking. Right now this instant. I am getting fucked. This is what it feels like to fuck.*

Strangely, you were not even thinking these words when you started, on top of him, riding on him like he was some great animal at a long-ago farm visit, or dome of sun-warmed metal at a playground, or unfamiliar-yet exciting vehicle at an amusement park, where foam-wrapped bars clamped all around your body to hold you pinned and trapped so the ride could do whatever it was designed to do to you.

At that time you could concentrate only on stretching and opening, holding your breath lest it take some of the precious space you needed to accommodate him, feeling your delicate skin stretch to membrane-thinness around him, the muscles stretch to and beyond their furthest extent, feel the strange pop and dark huge invasion of yourself, going up and up and up into uncharted regions, in an inch, withdrawing … in again and an inch deeper … receding again … back farther than ever … back out … deepest yet so that you gasped and cringed and he inquired close and softly in your ear if you were going to be okay …

Aria part 2 of 3 (More from Mr. Leppard)

The intervening days have been so normal. He has been pleasant and business-as-usual with you, although every time you are in his presence you feel that half of you hangs wide open and unhinged, exposed and vulnerable, hopelessly compromised. You find yourself staring at him in sweet pain, waiting for him to acknowledge what you did, what happened. He never does. Finally one night after dinner, in the kitchen, when you have finished washing the dishes and he comes in to place the empty wine bottle in the trash. He stops to gaze at you and his eyes capture yours just as surely as his hand caught your wrist that morning, so that you cannot move or escape until something is said or done. The sensation of him staring into your eyes is like falling from a cliff or facing an approaching wave at the beach, the outrushing water dragging dizzyingly on the backs of your knees and threatening to suck you down and out to sea.

He only raises a hand to the side of your face and tucks your hair behind your ear, fingers brushing your cheek. He says, so beautiful!, looks a moment more, then leaves with a slight smile while you twist and dangle in the gale, in the tumbling power of the broken wave, buffeted by water and sand, standing there in your apron.

Aria part 1 of 3 (More from Mr. Leppard)

You don’t know how it started.

Well, yes, in fact, you do.

It was at the first hint of dawn, when your consciousness is as dim and indistinct as the objects in the room and hall and bath as they emerged from the dark of night. A disconnected time, with reality not quite established, not fully distinguishable from dreams.

You stood watching him for a time, feelings enjoying full sway over reason, with the urgent excitement between your legs driving those feelings. He was asleep. Only then, in the otherwise still room, he put out his hand. Just unfolded his elbow and offered a hand to you, his face not even visible, turned toward the brightening window. The hand, big and graceful and relaxed and hairy-wristed, and your first thought was how it was right at crotch level, and you needed only step silently to it and enclose it with your thighs.

Or maybe he just wanted you to take his hand? It seemed the safer response. The safest of several wildly unsafe possibilities, anyway.

Felice the Cat (a word painting from Mr. Leppard)

It’s morning again, that special time when I’m sitting with Felice in the half dark, enjoying my coffee and her bare legs, her brief top, and we’re both dazed and untalkative, having been newly banished from the comfortable world of sleep.

The cats are doing their morning thing of alternately lazing on the rug between her chair and my sofa, then leaping up and chasing each other, then slumping down again between us, rolling over, paws in the air, purring, stretching out to full length, licking one another.

We’re very quiet, until she says softly, “I want to be a cat.” It hangs in the air, resigned.

“Eat cat food? Poop in a box of sand?”

“No! Lie around all day. Sleep. Do nothing. Not have to do anything.”

“Oh I see. Nothing?”

“Find a sunbeam to lie in. Gaze out the window. Just sit with nothing to do but let my eyes fall closed.”

She shifts slightly with her mug of tea. Her white top so very white. How do girls stay so clean? I want to touch her bare limbs. I set down my own mug. “You want to be a cat.”

Published
Categorized as Erotica