from the Meditation Centers of Roscoe Forthright.
Kate Wilkins was born in Ipswich, U.K. An energetic British girl with red hair, her curly red pubic mound a meaningful inheritance from some lusty Celt ravishing a milk-white Anglo-Saxon. (Roscoe intends to make her Sacred Celtic Mound famous across the U.S., Canada and much of the European Union, as an internet-porn tourist destination.) Kate trained as a scuba diver and as a yoga teacher , moving between those two careers every few months, not completely satisfied with either. Often she would take extended vacations, and end up modeling, or shooting x-rated videos in exotic places, laying on the beach drinking Mojitos.
Roscoe met Kate at a nude beach in Marin County, north from San Francisco. Roscoe sat perched on a large rock, overlooking the beach. He was creating a sculpture from native blue clay, found in abundance near this beach. His sculpture was a giant erect cock. Kate looked up at Roscoe, over the top of her sunglasses, as he was putting the finishing touches on his masterpiece. He was bathing the smooth blue surface of the three -foot arching erection with water, making it shiny in bright sunlight. Kate said, “You gotta be kiddin’ me.”
They both smiled and laughed. Roscoe said, “It seems like the most appropriate response to the artistic situation.” Later in the day, laying on the beach together, they overheard an angry lesbian woman say: “That is just disgusting ! Horny men, dragging their cocks into our peaceful place.” They knew she was a lesbian, because the girl next to her bent down and kissed the angry woman’s vagina. The pussy-kisser said, with a nasty smile, “If that cock is still there tomorrow, I will smash it with my own fists! I will annihilate that obscenity!” Truly, Roscoe never intended to offend anyone. How can a large, friendly blue cock be an obscenity? In his mind he was creating a big, lovely work of art, to be enjoyed by all, even lesbians. Some people take their militant homosexuality far too seriously. Give it a rest.
Having shared that social and artistic experience, Kate and Roscoe continue to have a pleasant, teasing, friendly relationship. Roscoe’s first film with Carolina, Beth and Kate began on May 5th, 2021. Carolina arrived promptly at 11am. Beth and Kate arrived together at 11:08. Roscoe chooses his actresses carefully. Hiring beautiful, cheerful females who show up on time, ready to work. Having shot erotic films for over eight years, Roscoe has no patience for *Kratom-Weed-MDMA- Heroin-Crystal Meth-Flying High females. Lazy, loud, and always late. No woman has a physical beauty nor a professional cock-sucking technique worth the trouble high females cause, or the hours and hours of life high females waste. Such females are too annoying to bother with. By 11:15am Roscoe has his set lit. He places Carolina and Kate on a firm black leather couch, in front of a black cloth backdrop. The girls are nude, on their knees, bent over resting their weight on elbows, facing each other. Their crescent moon fannies are high in the air , white and inviting. The cameras are on.
High resolution video and audio record every moment, as Beth enters the scene. Beth is nude, except for a scarlet G -string nestled tight between muscular butt-cheeks, and a brown fedora. This fedora is a German-style hunting cap with a pheasant feather and a silver edelweiss pin adorning a wide black hat-band. Beth carries a red leather riding crop, the Sacred Red Riding Crop of the Little Sisters of Divine Grace, and the most loved ritual tool of Amber Riverwood’s Canadian Coven. The spanking end of this crop had been very popular in Roscoe Forthright films leaving happy pink and red blotches on numerous, warm young female fannies!
Beth stands behind the couch, looking down to Carolina and Kate, she caresses their crescent moon fannies with the leather heart. The girls rise up on outstretched arms, hands flat on the couch, their mouths slowly moved together in an languorous open-mouth kiss. We notice a red dragon spirals up Kate’s right arm, and a vine, leaf and stem patterns in shades of green spirals up Carolina’s left arm. Both tattoos are in stunning colors in contrast to the very white skin of each girl. The kissing continues until Beth slaps the whip firmly into the palm of her hand, and commands, “Assume the position of ritual discipline!” Carolina and Kate immediately return to their first position, fannies raised high.
Beth begins to spank the girls, in deliberate, powerful, large strokes. Alternating left and right. The heart-whip whistles through the air. SLAP! SLAP! SLAP! Left. Right. Left. SLAP! SLAP! SLAP! Right. Left. Right. Alternating one fanny to the other, stinging both full moons! Carolina and Kate gasp or moan at each sharp impact. Pink blotches appear and welt up, turning red under the bright lights. Beth pauses a long eight seconds between each set of six strikes, and continues to scourge the girls bottoms for two ecstatic, erotic minutes. Roscoe’s cock gets hard in his jeans as he watches.
Carolina and Kate change positions, now pressing their wet, tingling pussies together in the center of the couch, as they lay on their backs. The girls softly bounce their vaginae together, legs entwined. We hear the sticky moisture of pubic lips, pressing together and releasing, like loud, wet kisses. Beth moves to the right end of the couch, kneeling to kiss Kate. Then moves to the left end of the couch to kiss Carolina. As she kisses Carolina, Beth reaches to hold Carolina’s large breasts, moving her hand from one to the other, teasing dark brown, erect nipples.
Roscoe enters the scene fully clothed. He wears blue jeans, a green and blue checkered flannel shirt, and his feet are bare on the hardwood floor. Roscoe hands Beth a two-headed shiny black dildo, perhaps 2 ½ feet long, thick and firm smooth black silicone. Beth inserts one end into Kate’s vagina, and one end into Carolina’s vagina. Beth holds tight to the middle of the dildo, as the girls pump slowly toward each other. Both vaginae full of black cock, with Beth’s hand between them. Their thrusts become more urgent and powerful, the girls moaning and twisting against the dildo. Beth is now standing between the orgasmic girls, bent over, still holding the dildo tightly, keeping it stationary between orgasmic thrusts . Beth ‘s firm round fanny fills the camera center, with Carolina and Kate’s ecstatic faces and heaving, bouncing breasts on the left and right.
A second camera, shows us a further view, Bet h to the left, and Roscoe standing to the right. In a close-up we see Roscoe, now nude from waist to mid-thigh. He is joyfully, vigorously jacking his fully erect cock. The cock is shiny with lube and points to Beth’s ass in the distance. It appears to rub against Beth’s beautiful round ass. One large drop of semen oozes out the tip of Roscoe’s cock, and he spreads the droplet down over his erection. Now Roscoe holds his cock gently, no longer stroking, simply bouncing the full erection in his hand. Being on the cusp of orgasm, he keeps the cock fully erect without pushing it over the edge. From time to time he jerks it slightly, another way to keep it fully hard, without making it come. We hear him moaning and sighing. We hear the loud orgasmic cries of Carolina and Kate echo in the quiet room. Moments after the girls complete their orgasms, Roscoe points his cock toward Beth’s fanny. The close-up camera allows us to see Roscoe’s full, aching, wide cockhead and Beth’s ass at the same time.
At last, Roscoe strokes the cock one last time , and semen gushes, bursting into air. A long and loud sustained moan roars from Roscoe’s throat. Beth turns quickly, rushes across the room and takes Roscoe’s still hard cock into her mouth. We see a close-up of Beth sucking and licking his last drops of semen, as Roscoe continues to moan.
Do all these intimate details matter? Is any scripted, stylized sex scene worthy of our attention? Do such videos contain anything of lasting value, something greater than pleasant images to watch while we are jacking-off? Would unscripted, spontaneous sex scenes serve the same purposes, when the people are attractive and pleasant to watch? Here we come to understand Roscoe’s artistic intentions, his own personal motivations, his reasons for making art. The whole purpose of any artist intentions, his own personal motivations, his reasons for making art. The whole purpose of any artistic action is to advance his own artistic and spiritual imagination. And, in doing so effectively, advance the imaginations of viewers, readers or listeners.
Several forms of art which gather into his film -making: Music, rock, jazz and classical, often original music composed specifically for his films. Visual art, drawings, paintings, prints from historical manuscripts, and of course the still images and video images of beautiful naked women having sex. Written art, the adventurous story-telling, as in this book, written rituals, the spoken word in his films, the scripts of scenes, and what the girls read out loud, or say. These forms of art create and offer descriptions of reality substantially different from the descriptions of reality offered by scientists, politicians and computer programmers.
Roscoe’s intention is to use Beauty, Sexual Desire, Spiritual Imagination and Joy to communicate his spiritual experience. To help people get closer to Oneness. Beauty is essential. Music is essential. Plainness , ugliness , silence and mechanical noises have value only as a backdrop to more interesting things. Roscoe find s the narratives and descriptions of reality offered by big-shot famous people , big-shot politicians, big-shot filmmakers, big – shot famous people of many kinds to be inadequate. Reality as described by these people is often horrifying, inaccurate and shockingly self-destructive. Many portions of the widely -accepted narratives of the 21st Century are quite simply inaccurate to his own personal experience, and inaccurate to the spiritual experience of other people.
There are religious and spiritual meanings to each element of the sex scene described above. Beth, Carolina and Kate have been participants in a pagan religious ceremony, for the purpose of stimulating the imaginations of otherwise unimaginative people. Beth’s scarlet G-string, her fedora and the Sacred Red Riding Crop are all symbols of authority. She is the High Priestess. She is in charge of this religious ritual. We can compare Beth’s symbols of power and authority to the equipment of Bishops in Catholic and Orthodox Churches. Her fedora is the pointed mitre hat, Her red riding crop is the crosier (the fancy curved staff, or shepherd’s crook.)
The riding crop also serves as the scourge of old monastic traditions. Both the scourge and the crook are often seen in ancient Egyptian images of Osiris. Also, the scourge has modern overtones of BDSM dominants and submissives. Beth’s only sacramental garment is the scarlet G-string, which we might compare to a Catholic priest’s red stole. With these symbols of spiritual authority, Beth is ready to instruct her witches. For that is who the girls represent in this video, witches in a pagan coven, bent over to receive holy instruction. Our imaginations extend further, when we understand the sacred purpose of the Double-Headed Black Dildo. The dildo serves the same ritual purpose as bread and wine serve in the ceremony of Eucharist ,the Holy Communion. Bread and wine are taken inside the human body, the actual body, blood, soul and divinity of Christ, or the spirit of Christ, taken inside the human body. In either case, Sacred Jesus goes inside the human body, just as the Sacred Dildo goes inside the body.
https://www.roscoeforthright.com/
Source: reddit.com/r/eroticliterature/comments/mvstsd/mfff_roscoe_films_threegirl_discipline_with